Heather Taylor-Johnson

Heather Taylor-Johnson’s works spanning novels, autofiction, poetry, memoir and essays have been recognised in the Readings Prize for Fiction, ABR’s Calibre Prize, Island’s Nonfiction Prize and the Newcastle Poetry Prize. A South Australian Arts Fellow and recipient of residencies at Bundanon, Varuna and the Whitlam Institute, and overseas residencies at the Anderson Centre in Minnesota and the Keesing Studio in Paris, Heather’s writing explores themes of belonging, illness, and art. She’s the editor of Shaping the Fractured Self: Poetry of Chronic Illness and Pain and is an adjunct research fellow at the JM Coetzee Centre for Creative Practice.

Author's books

I Lost Someone Then Found Them in My Body

$24.95

For someone living with chronic illness, every minute the body is in a state of biological transitioning. Add in the constant shifting of menopausal hormones and we’ve got something really complex – and amazing. Varied in style but tight on voice and succinctly thematic, the poems in Heather Taylor-Johnson’s seventh collection concern themselves with the astonishing and regular connection between the body and its surroundings – the social, political, cultural and environmental. The poems unsettle and hope, they reach and cling, and the outcome is a book as playful as it is full of weight.

Rhymes with Hyenas

$19.95

Imagine if six famous protagonists transcended chronological and geographical barriers to come together through a poetry group in Adelaide. Rhymes with Hyenas is an inventive narrative of emails and poetry that gives a female voice to characters originally written by men. They are Ursula from DH Lawrence’s Women in Love, Caddy from Faulkner’s The Sound and the Fury, Melanie from Coetzee’s Disgrace, Delores from Nabokov’s Lolita, Katherina from Shakespeare’s Taming of the Shrew, and Lilith from Hebrew mythology.

In a poignant ode to literature and Adelaide, these women are whole, complex characters, sometimes up to their breasts in mothering, sometimes homesick for exiled lands. ‘They are lecturers, dog owners, art makers and carers who deal with illness, infertility, addiction and abuse. Their stories, initially limited by the masterpieces that spawned them, continue on: they are not a closed book.

In a vibrant commentary on literary patriarchy and the patriarchy beyond, this book considers the place of writing, critiquing, reading, performing and publishing poetry in a woman’s space.