Told through a series triptychs—each with a poem, a work of essayistic prose and a photographic image—White Clouds Blue Rain captures discrete moments of life with precise yet unpredictable detail. Taking cues from artists, writers and architects, Driscoll gently binds the everyday to the abstract, moving from the dual vantage points of an apartment block in Melbourne and a former family home in North Queensland out to questions of form, shape and aesthetics as well as the act of making and our relationships with people, objects and physical space. There’s a spaciousness and glasslike stillness to this work that carefully diffuses meaning, never allowing it to settle.
Over the last five years, from the #Me Too Movement to same-sex marriage, from devastating bush fires to the global pandemic, the online poetry journal Not Very Quiet has dedicated itself to publishing women’s voices from across the globe. Not Very Quiet: The anthology selects poetry that has given voice to the social conscience of the community, constructions of lesbian and queer, the challenges posed to the social construction of gender, as well as the complexities and possibilities of the human condition.
Hesiod’s Five Ages famously proides a vision of the decline of human society that has resonated for many centuries. In this anthology, five poets take Hesiod’s versions of the golden, silver, bronze, heroic and iron ages as their starting points to craft five individual ‘chapbooks’ of prose poetry – not only exploring notions from Hesiodbut also venturing into many new concepts that reconceptualise these ages.These twenty-first century poems challenge many of the archaic Greek poet’s assumptions and ideas, writing back to the ancient world with bravura while employing quintessentially contemporary inflections and preoccupations.