In The Many Uses of Mint Ravi Shankar resuscitates old poetic traditions while breathing new forms into life; he translates the ancients and collaborates with living artists and writers; and he peers through spirit at the secrets of the luminous universe. His work, over time, proves that by partaking of formalism, philosophical inquiry, musicality and play, language’s wet clay can be shaped into artifacts of exceeding beauty and lasting resonance.
Matt Hetherington’s new collection highlights his very unique way of breaking the world at large into subtle architectures of mystery and wonder. Hetherington is fascinated by finding the universal in the particular and the sublime in the vulgar, and wrapping it up in tight little packages of observation and feeling.
This new volume from Penelope Layland absorbingly quizzes memory, while questioning our apprehension of time and the importance of deep human connections. These poems explore mourning and loss in a way that is salutary, affirmative, meditative and uplifting, subtly refracting our common understandings and our claims on knowledge. In these works the ghosted quotidian, like a long filigree of light, reaches out to remind us of what we value and care for.
Niloofar Fanaiyan’s new book of poetry is a subtle, observant and gentle collection of poems that capture Fanaiyan’s unique voice, a voice searching for connections in and through all things, to find their dignified and respectful centre.
Cavorting with Time is a series of poems about female ageing and mortality. Jacqui Malins shares them here as a work in progress, a script that will develop and mature over time, gathering notes and annotations with each new presentation. She has performed variations of it solo, with musical accompaniment, and now it performs on the page.
..a more attractive approach – and a truer one – is for the poet to step away and let the moment be itself. In this way, his or her moment becomes our moment. The more particular it is, the more universal it becomes. This is Martin’s way. Things that could seem insignificant become imbued with substance, the small becomes momentous, whether it be a sparrow slamming into a glass window, a sunset on a daily jog, bees, dung beetles, letters, the cutting of a garden plant, dust, a greeting card, a road in the moonlight, words themselves or children engaged in trick-or-treat. Little things are not little things. His universe knows no hierarchy.
In this debut collection, Judith Wright Poetry Prize winner, K A Nelson surveys a life lived in inland Australia. Inlandia traces the inner self, recording discoveries as she feels the place out and comes to an understanding of what ‘place’ means. Nelson’s direct poetry makes us think again about what keeps us returning, physically and in memory, to the terrains and people who occupy our shared history.
In this essay Professor Ronald Schleifer makes the case that the humanities train us in systematic attention to experience – and in particular, attention to linguistic and narrative knowledge – and he shows how this kind of attention can change the fundamental quality and outcome of interactions in the domain of medicine. This essay is a cogent argument for the interdisciplinary value of the humanities.
In The Uncommon Feast, Eileen Chong gives us a collection of poetry, essays and recipes that remark on how food has shaped her life, her way of understanding her world, and the world of connections with those around her. For Chong, food is an act of sharing and an act of generosity. Here, she shares with you a collection of her poems on food, essays that chart the meaning of food and poetry in her life, and even a secret recipe or two. Includes illustrations by Colin Cassidy.
In this new collection, Owen Bullock asks ‘what constitutes work for someone who must play in order to create?’ It’s a question addressed through formal contrast, aural unpredictability, and a genuine immersion of all the senses.
Paul Hetherington’s long prose poem Íkaros crafts from the myth of the same name, a unique inspiration and imagination spanning multiple layers of time and consciousness, incorporating memory and dreamscapes into an exceptionally potent exploration of a journey through to self-awareness. Central to the myth of Íkaros and to this collection is the relationship between father and son portrayed by Hetherington with exquisite honesty and tenderness, at once explorative and elegiac. His vision’s complexity is expressed in clear, honed language, its fresh imagery enabling a rare and compassionate depth of insight. This is a painterly, highly visual and visceral work with compelling underlying cadences and rhythms. Hetherington gifts the reader with “a necklace of words; utterances like waves and beach-tossed stones” and a telling capacity to listen closely and to see clearly.
To celebrate Ovid’s 2,000th anniversary, editors and poets Nessa O’Mahony and Paul Munden invited 100 poets to respond to Metamorphoses with new poems that explore the many contemporary resonances in that seminal work.
This anthology collects 10 of the finest contemporary women poets working in Japan today and offers translations that reinterpret the work as poetry in English. The result is an edgy, compelling, beautiful group of works, presented in a bi-lingual format, that challenges perceptions of contemporary Japanese life, culture and history.
Black Tulips are symbols of mystery and elegance and are hard to grow—a bit like writing poems. There is always a sense of mystery around how a poem makes it on to the page. How it sits beneath the surface as a garden bulb does until the conditions are right for it to begin to sprout and push into being.