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Divining Dante

$24.95

2021 is the 700th anniversary of the death of Dante Alighieri, author of the long narrative poetic trilogy, The Divine Comedy. In a time of global pandemic, Dante’s exploration of the relationship between the physical and spiritual worlds and humankind’s responsibilities to each other seems particularly relevant, and to commemorate Dante’s anniversary we invited 70 poets from around the world to respond to Dante’s famous work, assisted by a team of seven contributing editors: Paul Munden (UK), Nessa O’Mahony (Ireland), Paul Hetherington (Australia), Alvin Pang (Singapore), Priya Sarukkai Chabria (India), Moira Egan (Italy) and David Fenza (US).

Edited by Paul Munden and Nessa O’Mahony.

The free online version of Divining Dante is now available here. 

 

Animals with Human Voices

$19.95

In Animals with Human Voices you will find worms that dream of god, jellyfish weary of immortality, a powerless Superman, some illogical observations on aliens’, a lightning conductor tired of lightning and the truth about Elvis.  In multi award-winning poet Damen O’Brien’s debut collection, his cinematic eye and love of nature deliver poems which are ciphers for the normal concerns of every human: love, life and death and what we leave behind.

Cactus

$19.95

Throughout his forties and fifties Phillip found himself on a sticky wicket: the grief for his baby son and younger brothers, suicide attempts, self-harming, the premature termination of his career, and the failure of religious belief to explain or console. In and out of psychiatric care, he has been treated for PTSD, severe depression and social anxiety. There are consolations: family, companion greyhounds, Sunshine, the Western Bulldogs and Australian Football, books, the fine and performing arts but, for Phillip, this remains a time of loss and despair. This is, therefore, a collection of lamentations, achingly focused on what it is to live with poor mental health, but it is also a defiant celebration of survival and the redeeming power of familial love, sport and the arts.

Ferocious Animals

$24.95

An early exchange of Christmas presents leads to a violent outcome for a young drunk couple. A schoolboy finds himself at the centre of a cruel playground bullying ritual. A teenage girl lies to her mother about a sexual assault involving her little sister. A father ruins grand final day for the son who idolises him. 

The thirteen stories in Luke Johnson’s debut collection do not shy away from life’s brutalities. Nor do they overlook those moments of genuine  intimacy, humour and revelation that imbue the tragic with purpose and with pathos. Set in regional Australia in an era before mobile phones and the internet, these stories will remind you of who and what we are beneath all the cool digital interfaces: animals, burning with ferocity for a mouthful of life’s flesh.

Borderless: A transnational anthology of feminist poetry

$24.95

Borderless presents a collection of brand new, specially commissioned poems from a wide range of contemporary poets refl ecting on feminism in its broadest sense. While it builds on the work of previous anthologies, in this one the voices of First Nations, refugee and migrant poets are a deliberate focus. These poems plunge the reader deep into the experience of life in the world, at this moment, in a woman’s body, and explore multitudinous versions of what that can mean.

Edited by Saba Vasefi, Melinda Smith and Yvette Holt

 

Sometimes a Woman

$19.95

Based on historical, biographical and geographic research, Sometimes a Woman explores the lives of 19th-century women—prostitutes and madams—who helped settle America’s Wild West . Filled with voices that were mostly silenced in their era, these poems convey a variety of emotions, personalities and voices sometimes angry, usually feisty, and occasionally humorous.  The poems, which vary in style and form, ranging from lyrical and narrative lineated poems to prose and found poems, pay tribute to and celebrate these women.

Way Stations

$19.95

Stephen Gilfedder’s Way Stations features selected poems from the past 40 and more years. The chronology leads us from the contemporary to his initial fully realised work.  Throughout, people – in their various guises, locations and predicaments – are the abiding concentration.  An important aspect is the observation and recording of human mutability in time, place and circumstance. The personal dimension is explored across its contradictions, from commitment to uncertainty, to self-discovery and perseverance.  Throughout the language is rich and rhythmic, steeped in the Australian vernacular.

‘Gilfedder’s unforced and liquid vernacular is sharpened and made memorable by his vivid and exacting imagery. These poems are moments observed from the inside and outside, narratives that are as particular as the shape of a place-name in the mouth, yet as universal as the waystations of every life.’

Penelope Layland

Text/ure

$40.00

Poetry, Music, Visual Art

If I could have given you a note 

In your time of silence,

It would have the shape

of my heart 

Follow one poem’s journey through word, song, and visual art. How does the form of the poem trans-form across different media? What aspects of texture, tone, colour, shape, and line remain? This full colour book marks the culmination of the Text/ure project, a tribute to the collaborations and creative processes involved. With original poem ‘If I Could Have Given You A Note‘, full composers’ statements, interview excerpts, visual art, drawing statements, and all six concluding poems, it is a feast for eye and ear alike.

What We Carry: Poetry on childbearing

$24.95

What We Carry brings together the voices of more than 60 contemporary Australian poets to provide accounts of childbearing that are both lyrical and embodied. Featuring diverse voices and perspectives on experiences of infertility, conception, termination, loss, pregnancy, birth and the early postpartum period, this collection illuminates the endlessly different ways the potential to carry life is experienced. The poems invite you to share incredibly personal stories – some humourous, some sincere, some full of elation and love, others frustration or despair. They provide powerful insights into the potential for childbearing experiences to shape us, change the trajectories of our lives, and teach us about what it means to be human. For after all, all of us were carried, at the beginning.

Edited by Ella Kurz, Simone King and Claire Delahunty

the moment, taken

$19.95

the moment, taken is Jennifer Compton’s eleventh book of poetry. At this late stage she has yielded to the absolute lure of eidectic memory. That is – ‘relating to or denoting images having unusual vividness and detail as if actually visible.’ And there is the pleasure in poetry for her. The damage, the drama, the tableau, the tall tale and true. It must be knocked out of true. There are rules.

Obligations of Voice

$19.95

If we are to speak, what is it we must speak? If we are allowed to speak, what is it we must say? Who constitutes the ‘we’ that speaks? Anne Elvey’s new collection frames such questions against the contemporary world and its multiple challenges. These poems in turn explore environmental encounters, subtle and overt expressions of the political, the elisions of history, the embodiment of the world and the nature of grace, through poetry sharply attuned to its subject matter. For Elvey, poetry has an obligation not only to chart intimate moments, but also to draw those moments towards the numinous matter of our Earthy habitats.

F-Words

$19.95

‘F-words’ is less expletive, more reconnaissance flight. In this five-year exploratory survey of territory that might include poetry, Malins forays into fables, fauna and flora, family, feminism, faraway and further. Whether in factual, fictive, fabulist or forensic form, Malins is squinting through life’s surface reflections and writing what she glimpses underneath.

I am the Glass

$19.95

I am the glass

with all this inside

my transparent walls

the sun

the moon

the bubbles

all this intoxication

Penny Drysdale invites readers into her home and her transience as her relationship begins to end.  It is never easy to get on with your life.  I am the glass is window into these tender invisible journeys.

 ‘A piercing portrait of the many ways we rebuild after loss. I am the glass is the bark stripped away.’

Johanna Bell

 

Our Tongues are Songs

$19.95

In Our Tongues Are Songs, Rico Craig pursues the intimate, the voices people use as they speak to their private fears. Craig brings his unique ear for lyricism, his eye for human need, to bear on the promises people make to themselves as they attempt to find solace, companionship and meaning. His haunting use of image fills the day-to-day world with the uncanny — bats are comforted by children, old women weep tattoos, the earth burns, television stars comfort teenagers as they struggle with anorexia, encroaching sands spill the dead into an unnamed city. This book spans voices, generations and countries; it sides with the young and old as they try to carve their humanity from the swirls of despair.

‘These poems of bone, sky, night and earth pulse with danger and exaltation. Selves spectral, imagined and embodied dissolve the solitary ‘I’ to imagine flocks of selves, dancing with knives in their hands, standing on rooftops, never forgetting what it is to be at our wildest. They overflow with loosened energy, yet their crafting is meticulous, brilliant and exact.’
Felicity Plunkett

Errant Night

$19.95

What would you do if you looked up and saw that the night sky was darker than usual? That the stars had disappeared, and nobody was doing anything about it?

What do you do when a loved one tells you that their world is darker than usual? That they see no light, and don’t know what to do about it?

Errant Night is an exploration of resilience executed imperfectly. In this sequence of prose poems, Beaumont draws upon the sci-fi wonders of interstellar travel and spaceship mechanics to throw comparative light upon the realities of living with the burden of loss.

Rare Bird

$19.95

Intellectually ambitious and culturally engaged, these poems speak of  Sartre, Zola and Jackson Pollock, of Western Australia’s firewatch trees and Dubbo’s gibbons, of the poet-batsman Stevie Smith, of youth and age. Ranging in form, James Lucas’s poems ask to be reread rather than assented to, and are written in the belief that poetry is both solvent and fresh lick of paint.

‘James Lucas’s poems explode with brilliance, warmth and music’—  Stuart Barnes

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