Get all fifteen of our new poetry collections released as they are released 2023
Featuring new work by:
April Nathan Shepherson, Sandra Renew May Ally Chua, Alvin Pang & George Szirtes June Erin Shiel, Owen Bullock July K A Nelson, Martin Dolan September Es Foong, Brendan Ryan, Thabani Tshuma October Jennifer Allen, Brent Cantwell November Jen Webb, Kerry Greer
Get all twelve of our new poetry collections released as they are released 2022
Featuring new work by:
July Anita Patel, Theodore Ell August Anders Villani, Rico Craig September Paul Munden, Paul Hetherington October Denise O’Hagan, Peter Bakowski November Bronwyn Lovell, Penelope Layland, Michael J. Leach, Dominic Symes
Follow one poem’s journey through word, song, and visual art. How does the form of the poem trans-form across different media? What aspects of texture, tone, colour, shape, and line remain? This full colour book marks the culmination of the Text/ure project, a tribute to the collaborations and creative processes involved. With original poem ‘If I Could Have Given You A Note‘, full composers’ statements, interview excerpts, visual art, drawing statements, and all six concluding poems, it is a feast for eye and ear alike.
The contributions to ACE III are diverse in form and theme. As a composite picture the collection represents an expansive vision for short-form writing. We include work by authors from diverse cultural and geographical locations, including – Australia: Gadigal Country, Dharawal Country, Wodi Wodi Country, Wurundjeri land, Naarm, Jinibara Country, Whadjuk Country, Turrbal & Yuggera land, Ngunnawal Country, as well as Dallas (USA), Mexico City, Greece, Norway, Tbilisi: Georgia, NYC, Chennai: India, Singapore, and Saudi Arabia.
The authors examine the conundrum and contradiction of human experience through carefully crafted detail. The brevity of short-form writing makes it an apt vessel for capturing the haunting incompleteness of human experience. Through flash and traditional length short stories, creative nonfiction, memoir, and hybrid forms, there is a compelling ebb and tow of ideas, as focalised through highly idiosyncratic registers. The authors cultivate narrative detail with intuitive hands and minds, fashioning abstracted realities that linger well beyond the final lines of the text. The contributions leave the reader reeling, asking how it is possible that story-work can enter our affect cycle as if it were lived experience.
Borderless presents a collection of brand new, specially commissioned poems from a wide range of contemporary poets refl ecting on feminism in its broadest sense. While it builds on the work of previous anthologies, in this one the voices of First Nations, refugee and migrant poets are a deliberate focus. These poems plunge the reader deep into the experience of life in the world, at this moment, in a woman’s body, and explore multitudinous versions of what that can mean.
Edited by Saba Vasefi, Melinda Smith and Yvette Holt
Over the last five years, from the #Me Too Movement to same-sex marriage, from devastating bush fires to the global pandemic, the online poetry journal Not Very Quiet has dedicated itself to publishing women’s voices from across the globe. Not Very Quiet: The anthology selects poetry that has given voice to the social conscience of the community, constructions of lesbian and queer, the challenges posed to the social construction of gender, as well as the complexities and possibilities of the human condition.
This bilingual Homings and Departures anthology presents the absorbing and compelling poetry of 41 outstanding Australian poets in both English and Mandarin. The anthology is the result of a collaboration between poets, scholars and translators from the China Australia Writing Centre at Curtin University, Western Australia; the International Poetry Studies group at the University of Canberra; and Fudan University in Shanghai. Edited by Lucy Dougan and Paul Hetherington, it reflects the importance of international literary and cultural connections as a way of extending our conceptions of ‘home’ and ‘elsewhere’.
What We Carry brings together the voices of more than 60 contemporary Australian poets to provide accounts of childbearing that are both lyrical and embodied. Featuring diverse voices and perspectives on experiences of infertility, conception, termination, loss, pregnancy, birth and the early postpartum period, this collection illuminates the endlessly different ways the potential to carry life is experienced. The poems invite you to share incredibly personal stories – some humourous, some sincere, some full of elation and love, others frustration or despair. They provide powerful insights into the potential for childbearing experiences to shape us, change the trajectories of our lives, and teach us about what it means to be human. For after all, all of us were carried, at the beginning.
Edited by Ella Kurz, Simone King and Claire Delahunty