Get all twelve of our new poetry collections released as they are released 2022
Featuring new work by:
July Anita Patel, Theodore Ell August
Anders Villani, Rico Craig September
Paul Munden, Paul Hetherington October
Denise O’Hagan, Peter Bakowski November
Bronwyn Lovell, Penelope Layland, Michael J. Leach, Dominic Symes
In each of the stories in this collection, the authors examine the conundrum and contradiction of human experience through carefully crafted narrative detail. The brevity of short-form fiction makes it an apt vessel for capturing the haunting incompleteness of human experience. Memorable short stories resonate because they are attentive to specificities and particularities: to detail as it relates to a distinct focalising consciousness. The authors in this collection employ narrative detail with intuitive hands and minds, fashioning an apprehended fictional world, an abstracted reality that resonates beyond the final lines of text. Each story here is marked by the urgency of idea, captured as raw sensory data. Collectively, they are attentive to the crucial relationship between idiosyncratic voice and sharply rendered detail, creating an experiential world that ‘feels real’ to the reader.
The latest collection from Benjamin Dodds interprets the bizarre true story of Lucy, a chimpanzee raised as the ‘daughter’ of Oklahoma psychotherapist Dr Maurice Temerlin during the 1960s and 70s. With deep empathy and an eye for subtle, telling moments, Dodds oﬀers a complex reimagination of Lucy’s fraught hybrid life through unﬂinching poems that fascinate and unsettle in equal measure.
Disquieting and deeply moving, Shane Strange’s debut collection inhabits a space that is somehow both intimate, and remote. All Suspicions Have Been Confirmed is marked by precise, pared back language, and immediate, hauntingly resonant imagery: we move through the space and places, the cities, the landscapes of these poems almost as we might move through a film, or a vividly remembered dream.
Whether in the Venetian footsteps of Vivaldi, at the birth of the Owen and Sassoon violins or the score of a Sam Peckinpah film, these poems present a wealth of musical scenarios, all interconnected in their themes, tonality and form. Their reverberations reach across time and space, from England and Italy to the Australian outback, with the visual arts also in the mix. And yet the core of this book is deeply personal, the poet present as a ten-year-old boy, lover, grandfather – or anachronistic witness – at the various trials of life through which creativity and even humour somehow flourishes.
True to its title, the poems in O’Hagan’s second poetry collection, Anamnesis, allude to a world hovering at the edges of our minds, one that can be sensed and yet lies, teasingly, just beyond conscious reach. The arc of poems through time and distance represents a summoning up of, and immersion in, small moments which reveal themselves to be quietly momentous; a distillation of personal experience from which we feel there is something to be collectively gleaned. The recovery of memory in its various facets is explored, and the poetry that emerges is both poignant and lyrical.
In Animals with Human Voices you will find worms that dream of god, jellyfish weary of immortality, a powerless Superman, some illogical observations on aliens’, a lightning conductor tired of lightning and the truth about Elvis. In multi award-winning poet Damen O’Brien’s debut collection, his cinematic eye and love of nature deliver poems which are ciphers for the normal concerns of every human: love, life and death and what we leave behind.
Beginning in Sight is Theodore Ell’s first poetry collection. It brings together work written over more than ten years, tapping into the memories, life-stories and mirror-images that resist time and recouple bygone experience to the drifting world of today. The poems branch out from Ell’s original home of Sydney into its hinterland, the coast and the Hunter, snatching moments of respite and pleasure in troubled times, before finding new bearings in the Canberra region. Haunted by the presence of vanished lives and histories, these are poems of perseverance, endurance and a past that seems to know what is coming.
Borderless presents a collection of brand new, specially commissioned poems from a wide range of contemporary poets refl ecting on feminism in its broadest sense. While it builds on the work of previous anthologies, in this one the voices of First Nations, refugee and migrant poets are a deliberate focus. These poems plunge the reader deep into the experience of life in the world, at this moment, in a woman’s body, and explore multitudinous versions of what that can mean.
Edited by Saba Vasefi, Melinda Smith and Yvette Holt
This latest project of ‘authorised theft’ amongst poetic friends sees them raiding the 19th century for inspiration—across a variety of artforms. But C19 here is not just a past century; it is also the terrible present moment in which we live, and in which this remarkable collaborative work has been written.
Throughout his forties and fifties Phillip found himself on a sticky wicket: the grief for his baby son and younger brothers, suicide attempts, self-harming, the premature termination of his career, and the failure of religious belief to explain or console. In and out of psychiatric care, he has been treated for PTSD, severe depression and social anxiety. There are consolations: family, companion greyhounds, Sunshine, the Western Bulldogs and Australian Football, books, the fine and performing arts but, for Phillip, this remains a time of loss and despair. This is, therefore, a collection of lamentations, achingly focused on what it is to live with poor mental health, but it is also a defiant celebration of survival and the redeeming power of familial love, sport and the arts.
Care Stop is Sarah Rice’s poetic and photographic reflection on the vagaries of homelessness and the topography of empathy. The book begins with the poem ‘Care Stop’ and is followed by a series of altered images featuring the iconic ACT bus stop shelter. Care Stop is produced in a limited edition, and is proudly supported by artsACT.
2021 is the 700th anniversary of the death of Dante Alighieri, author of the long narrative poetic trilogy, The Divine Comedy. In a time of global pandemic, Dante’s exploration of the relationship between the physical and spiritual worlds and humankind’s responsibilities to each other seems particularly relevant, and to commemorate Dante’s anniversary we invited 70 poets from around the world to respond to Dante’s famous work, assisted by a team of seven contributing editors: Paul Munden (UK), Nessa O’Mahony (Ireland), Paul Hetherington (Australia), Alvin Pang (Singapore), Priya Sarukkai Chabria (India), Moira Egan (Italy) and David Fenza (US).
Edited by Paul Munden and Nessa O’Mahony.
The free online version of Divining Dante is now available here.
Doggerland is the name of a once fertile and populated land mass, now submerged under the North Sea, that once connected the British Isles with Europe. In the winter of 2017/18, Doggerland was clearly visible once again from the coast near the town where Moya Pacey was born and raised. In Pacey’s hands, this phenomenon works as a metaphor for how memory brings to the surface images, glimpses, stories, people and places appearing and disappearing, in no set order, around the space of this collection of poems.
Doggerland revisits a time of post World War II northern England, replete with traditional norms and values, and darknesses waiting to emerge above the water of everyday life.
What would you do if you looked up and saw that the night sky was darker than usual? That the stars had disappeared, and nobody was doing anything about it?
What do you do when a loved one tells you that their world is darker than usual? That they see no light, and don’t know what to do about it?
Errant Night is an exploration of resilience executed imperfectly. In this sequence of prose poems, Beaumont draws upon the sci-fi wonders of interstellar travel and spaceship mechanics to throw comparative light upon the realities of living with the burden of loss.
‘F-words’ is less expletive, more reconnaissance flight. In this five-year exploratory survey of territory that might include poetry, Malins forays into fables, fauna and flora, family, feminism, faraway and further. Whether in factual, fictive, fabulist or forensic form, Malins is squinting through life’s surface reflections and writing what she glimpses underneath.