Get all twelve of our new poetry collections released as they are released 2022
Featuring new work by:
July Anita Patel, Theodore Ell August Anders Villani, Rico Craig September Paul Munden, Paul Hetherington October Denise O’Hagan, Peter Bakowski November Bronwyn Lovell, Penelope Layland, Michael J. Leach, Dominic Symes
Get all fifteen of our new poetry collections released as they are released 2023
Featuring new work by:
April Nathan Shepherson, Sandra Renew May Ally Chua, Alvin Pang & George Szirtes June Erin Shiel, Owen Bullock July K A Nelson, Martin Dolan September Es Foong, Brendan Ryan, Thabani Tshuma October Jennifer Allen, Brent Cantwell November Jen Webb, Kerry Greer
In each of the stories in this collection, the authors examine the conundrum and contradiction of human experience through carefully crafted narrative detail. The brevity of short-form fiction makes it an apt vessel for capturing the haunting incompleteness of human experience. Memorable short stories resonate because they are attentive to specificities and particularities: to detail as it relates to a distinct focalising consciousness. The authors in this collection employ narrative detail with intuitive hands and minds, fashioning an apprehended fictional world, an abstracted reality that resonates beyond the final lines of text. Each story here is marked by the urgency of idea, captured as raw sensory data. Collectively, they are attentive to the crucial relationship between idiosyncratic voice and sharply rendered detail, creating an experiential world that ‘feels real’ to the reader.
The contributions to ACE III are diverse in form and theme. As a composite picture the collection represents an expansive vision for short-form writing. We include work by authors from diverse cultural and geographical locations, including – Australia: Gadigal Country, Dharawal Country, Wodi Wodi Country, Wurundjeri land, Naarm, Jinibara Country, Whadjuk Country, Turrbal & Yuggera land, Ngunnawal Country, as well as Dallas (USA), Mexico City, Greece, Norway, Tbilisi: Georgia, NYC, Chennai: India, Singapore, and Saudi Arabia.
The authors examine the conundrum and contradiction of human experience through carefully crafted detail. The brevity of short-form writing makes it an apt vessel for capturing the haunting incompleteness of human experience. Through flash and traditional length short stories, creative nonfiction, memoir, and hybrid forms, there is a compelling ebb and tow of ideas, as focalised through highly idiosyncratic registers. The authors cultivate narrative detail with intuitive hands and minds, fashioning abstracted realities that linger well beyond the final lines of the text. The contributions leave the reader reeling, asking how it is possible that story-work can enter our affect cycle as if it were lived experience.
Emerging authors from vast geographical regions examine the conundrum and contradiction of human experience through carefully crafted detail. The brevity of short-form writing makes it an apt vessel for capturing the haunting incompleteness of human experience. Through flash and traditional length short stories—fiction and life writing, as well as hybrid forms of storytelling—there is a compelling ebb and tow of ideas, as focalised through highly idiosyncratic voices. The authors work deftly, paying due homage to the crucial relationship between the focalising voice and sharply rendered detail—cultivating narrative features with intuitive hands and minds, fashioning abstracted realities that linger beyond the final lines of the text.
The dictionary defines consumption as both the ‘use of a resource’ and ‘a wasting disease’. This collection explores the different acts of self consumption a person can go through—sacrifice and selfishness, defeat and hubris. It’s an unpacking of guilt for making the wrong choices; for contradictory compulsions; for complicity.
The latest collection from Benjamin Dodds interprets the bizarre true story of Lucy, a chimpanzee raised as the ‘daughter’ of Oklahoma psychotherapist Dr Maurice Temerlin during the 1960s and 70s. With deep empathy and an eye for subtle, telling moments, Dodds oﬀers a complex reimagination of Lucy’s fraught hybrid life through unﬂinching poems that fascinate and unsettle in equal measure.
Disquieting and deeply moving, Shane Strange’s debut collection inhabits a space that is somehow both intimate, and remote. All Suspicions Have Been Confirmed is marked by precise, pared back language, and immediate, hauntingly resonant imagery: we move through the space and places, the cities, the landscapes of these poems almost as we might move through a film, or a vividly remembered dream.
Whether in the Venetian footsteps of Vivaldi, at the birth of the Owen and Sassoon violins or the score of a Sam Peckinpah film, these poems present a wealth of musical scenarios, all interconnected in their themes, tonality and form. Their reverberations reach across time and space, from England and Italy to the Australian outback, with the visual arts also in the mix. And yet the core of this book is deeply personal, the poet present as a ten-year-old boy, lover, grandfather – or anachronistic witness – at the various trials of life through which creativity and even humour somehow flourishes.
True to its title, the poems in O’Hagan’s second poetry collection, Anamnesis, allude to a world hovering at the edges of our minds, one that can be sensed and yet lies, teasingly, just beyond conscious reach. The arc of poems through time and distance represents a summoning up of, and immersion in, small moments which reveal themselves to be quietly momentous; a distillation of personal experience from which we feel there is something to be collectively gleaned. The recovery of memory in its various facets is explored, and the poetry that emerges is both poignant and lyrical.
Finalist in the Eric Hoffer Book Award (US) (Poetry Category), 2023.
Shortlisted in the Rubery Book Award (UK) (Poetry Category), 2023’
In Animals with Human Voices you will find worms that dream of god, jellyfish weary of immortality, a powerless Superman, some illogical observations on aliens’, a lightning conductor tired of lightning and the truth about Elvis. In multi award-winning poet Damen O’Brien’s debut collection, his cinematic eye and love of nature deliver poems which are ciphers for the normal concerns of every human: love, life and death and what we leave behind.
It’s the 1970s and 1980s, and Sandra Renew, a young lesbian activist in Far North Queensland, is involved in some of the most politically charged moments in Australian history. From Pine Gap to civil rights marches in Queensland to the first Gay and Lesbian Mardi Gras and beyond, Apostles of Anarchy juxtaposes newspaper headlines and archival material with the personal experience of these struggles. It asks what it is to fight for the acceptance of difference in a discourse of prejudice and hostility.
Beginning in Sight is Theodore Ell’s first poetry collection. It brings together work written over more than ten years, tapping into the memories, life-stories and mirror-images that resist time and recouple bygone experience to the drifting world of today. The poems branch out from Ell’s original home of Sydney into its hinterland, the coast and the Hunter, snatching moments of respite and pleasure in troubled times, before finding new bearings in the Canberra region. Haunted by the presence of vanished lives and histories, these are poems of perseverance, endurance and a past that seems to know what is coming.
In 1778, Dorothy Wordsworth’s mother died, and the six-year-old Dorothy was sent to live with extended family. She never returned to the family home, and it was not until adolescence that Dorothy became reacquainted with her brother William. The two formed an intense and passionate emotional bond. By 1794 they were living together from that time would rarely be physically separated for more than a few weeks at a time, for the rest of their lives.
Written in the voice of Dorothy, Beloved traces the progression of their relationship, from the ecstatic infatuation of youth onwards, drawing upon Dorothy’s diaries and letters as well as the recollections of friends and family members and literary and biographical scholarship.
Borderless presents a collection of brand new, specially commissioned poems from a wide range of contemporary poets refl ecting on feminism in its broadest sense. While it builds on the work of previous anthologies, in this one the voices of First Nations, refugee and migrant poets are a deliberate focus. These poems plunge the reader deep into the experience of life in the world, at this moment, in a woman’s body, and explore multitudinous versions of what that can mean.
Edited by Saba Vasefi, Melinda Smith and Yvette Holt