An early exchange of Christmas presents leads to a violent outcome for a young drunk couple. A schoolboy finds himself at the centre of a cruel playground bullying ritual. A teenage girl lies to her mother about a sexual assault involving her little sister. A father ruins grand final day for the son who idolises him.
The thirteen stories in Luke Johnson’s debut collection do not shy away from life’s brutalities. Nor do they overlook those moments of genuine intimacy, humour and revelation that imbue the tragic with purpose and with pathos. Set in regional Australia in an era before mobile phones and the internet, these stories will remind you of who and what we are beneath all the cool digital interfaces: animals, burning with ferocity for a mouthful of life’s flesh.
Story Ground is a place of story, of attentiveness and support. A place where stories are held safely and dearly, and are shared bravely—the very foundation of Community and Culture.
Story Ground: The anthology is a collection of prose writing, poetry and storytelling deriving from a series of workshops based on traditional Indigenous practices of storytelling and knowledge. The authors come from far flung places. Their writings here are breathtakingly powerful. This anthology is for the keeping and for returning to—a collection that you will find yourself reading and embracing, time and again.
In The Uncommon Feast, Eileen Chong gives us a collection of poetry, essays and recipes that remark on how food has shaped her life, her way of understanding her world, and the world of connections with those around her. For Chong, food is an act of sharing and an act of generosity. Here, she shares with you a collection of her poems on food, essays that chart the meaning of food and poetry in her life, and even a secret recipe or two. Includes illustrations by Colin Cassidy.
In Incantations, Subhash Jaireth responds through a series of short prose pieces to portraits of famous and everyday Australians in an attempt to rethink the role of place, identity and the self. It is an ekphrastic exercise, in that it reinterprets an artwork in writing, but it is also a lyrical exploration of what art can mean: its power to move, to know, and to feel.
Once thought lost, this new edition revives Strange’s bizarre experimental manuscript for contemporary audiences. Allegedly written in a weekend and inspired by a paratext from Clarice Lispector, Notes to the Reader is a collection of twenty-one calls to readers from books and authors long forgotten.