Zoe Anderson’s first poetry collection uses elements of fairytale and mythology to reflect on landscape, love and ecological uncertainty. Accompanied by darkly heartfelt illustrations by Helani Laisk and playful typography by Caren Florance, this is a collection full of hope, imagination and truth.
Poet Melinda Smith and artist Caren Florance are back with another excursion into the linguistic and visual pleasures of found text, a joint practice which brought us 2017’s Members Only. With this book, Listen, bitch, they turn their attention to misogynist language, working with a corpus of several decades’ worth of statements by powerful Australian public figures (and other blokes with big platforms). By listening very closely to the snarlings of what Kate Manne calls the law enforcement branch of the patriarchy, these poems attempt to map the lines women are still not supposed to cross in contemporary Australia, and to document the consequences suffered when they do. The results are sometimes harrowing, sometimes ridiculous, and always thought-provoking.
Cavorting with Time is a series of poems about female ageing and mortality. Jacqui Malins shares them here as a work in progress, a script that will develop and mature over time, gathering notes and annotations with each new presentation. She has performed variations of it solo, with musical accompaniment, and now it performs on the page.