The contributions to ACE III are diverse in form and theme. As a composite picture the collection represents an expansive vision for short-form writing. We include work by authors from diverse cultural and geographical locations, including – Australia: Gadigal Country, Dharawal Country, Wodi Wodi Country, Wurundjeri land, Naarm, Jinibara Country, Whadjuk Country, Turrbal & Yuggera land, Ngunnawal Country, as well as Dallas (USA), Mexico City, Greece, Norway, Tbilisi: Georgia, NYC, Chennai: India, Singapore, and Saudi Arabia.
The authors examine the conundrum and contradiction of human experience through carefully crafted detail. The brevity of short-form writing makes it an apt vessel for capturing the haunting incompleteness of human experience. Through flash and traditional length short stories, creative nonfiction, memoir, and hybrid forms, there is a compelling ebb and tow of ideas, as focalised through highly idiosyncratic registers. The authors cultivate narrative detail with intuitive hands and minds, fashioning abstracted realities that linger well beyond the final lines of the text. The contributions leave the reader reeling, asking how it is possible that story-work can enter our affect cycle as if it were lived experience.
Over the last five years, from the #Me Too Movement to same-sex marriage, from devastating bush fires to the global pandemic, the online poetry journal Not Very Quiet has dedicated itself to publishing women’s voices from across the globe. Not Very Quiet: The anthology selects poetry that has given voice to the social conscience of the community, constructions of lesbian and queer, the challenges posed to the social construction of gender, as well as the complexities and possibilities of the human condition.
This bilingual Homings and Departures anthology presents the absorbing and compelling poetry of 41 outstanding Australian poets in both English and Mandarin. The anthology is the result of a collaboration between poets, scholars and translators from the China Australia Writing Centre at Curtin University, Western Australia; the International Poetry Studies group at the University of Canberra; and Fudan University in Shanghai. Edited by Lucy Dougan and Paul Hetherington, it reflects the importance of international literary and cultural connections as a way of extending our conceptions of ‘home’ and ‘elsewhere’.
What We Carry brings together the voices of more than 60 contemporary Australian poets to provide accounts of childbearing that are both lyrical and embodied. Featuring diverse voices and perspectives on experiences of infertility, conception, termination, loss, pregnancy, birth and the early postpartum period, this collection illuminates the endlessly different ways the potential to carry life is experienced. The poems invite you to share incredibly personal stories – some humourous, some sincere, some full of elation and love, others frustration or despair. They provide powerful insights into the potential for childbearing experiences to shape us, change the trajectories of our lives, and teach us about what it means to be human. For after all, all of us were carried, at the beginning.
Edited by Ella Kurz, Simone King and Claire Delahunty
2021 is the 700th anniversary of the death of Dante Alighieri, author of the long narrative poetic trilogy, The Divine Comedy. In a time of global pandemic, Dante’s exploration of the relationship between the physical and spiritual worlds and humankind’s responsibilities to each other seems particularly relevant, and to commemorate Dante’s anniversary we invited 70 poets from around the world to respond to Dante’s famous work, assisted by a team of seven contributing editors: Paul Munden (UK), Nessa O’Mahony (Ireland), Paul Hetherington (Australia), Alvin Pang (Singapore), Priya Sarukkai Chabria (India), Moira Egan (Italy) and David Fenza (US).
Edited by Paul Munden and Nessa O’Mahony.
The free online version of Divining Dante is now available here.
This anthology collects 10 of the finest contemporary women poets working in Japan today and offers translations that reinterpret the work as poetry in English. The result is an edgy, compelling, beautiful group of works, presented in a bi-lingual format, that challenges perceptions of contemporary Japanese life, culture and history.
In April 2020, amidst the global pandemic of Covid-19, the Australasian Association of Writing Programs (AAWP), the peak academic body representing the discipline of Creative Writing in Australasia, sent a call for contributions to The Incompleteness Book (2020: Recent Work Press). The storytellers and poets were asked to respond to the prompt: the incompleteness of human experience. The second edition represents the impetus to capture a composite picture of what writers made of this prompt, one year on. Contributors were asked to consider what they had discarded; what they coveted more closely than ever; whether they had learned something, about themselves or more broadly. In this thought-provoking collection contributors were asked to write back and think forward. The result is a multi-focal expression of: Where to, from here?
This latest project of ‘authorised theft’ amongst poetic friends sees them raiding the 19th century for inspiration—across a variety of artforms. But C19 here is not just a past century; it is also the terrible present moment in which we live, and in which this remarkable collaborative work has been written.
In each of the stories in this collection, the authors examine the conundrum and contradiction of human experience through carefully crafted narrative detail. The brevity of short-form fiction makes it an apt vessel for capturing the haunting incompleteness of human experience. Memorable short stories resonate because they are attentive to specificities and particularities: to detail as it relates to a distinct focalising consciousness. The authors in this collection employ narrative detail with intuitive hands and minds, fashioning an apprehended fictional world, an abstracted reality that resonates beyond the final lines of text. Each story here is marked by the urgency of idea, captured as raw sensory data. Collectively, they are attentive to the crucial relationship between idiosyncratic voice and sharply rendered detail, creating an experiential world that ‘feels real’ to the reader.
90 poets from across the world reflect on a this marker of a time before the 24-hour news cycle, before the ubiquity of news and information that seems to haunt us through our daily lives. Through this anthology there are poems that capture that moment of nothing but piano music making up an evening news bulletin, poems that contrast this with today’s news, and personal stories grounded in the intervening years.
Story Ground is a place of story, of attentiveness and support. A place where stories are held safely and dearly, and are shared bravely—the very foundation of Community and Culture.
Story Ground: The anthology is a collection of prose writing, poetry and storytelling deriving from a series of workshops based on traditional Indigenous practices of storytelling and knowledge. The authors come from far flung places. Their writings here are breathtakingly powerful. This anthology is for the keeping and for returning to—a collection that you will find yourself reading and embracing, time and again.
The six senses have rarely been invoked in such sustained and evocative poetical terms. Whether one wants to understand touch, taste, smell, hearing, intuition or sight, this volume provides myriad avenues enabling a rich appreciation of sensory experience.
On 21 July, 1969, Neil Armstrong became the first human to step foot on the moon, uttering those famous words: ‘That’s one small step for man, one giant leap for mankind.’ To mark the fiftieth anniversary of the Apollo 11 moon landing, 50 poets from around the world were asked to reflect upon the achievement of Apollo 11 and our constantly evolving notions of ‘space’.
The emerging writers whose stories grace this collection engage in the play of symbolic action and detail, capturing sadness and imperfection through an apprehended fictional world—an abstracted reality. The stories resonate because they are intensely focused upon very particular forms of enquiry: Why do the characters see what they see? How do they know what they know? Perhaps it is this—the focus upon a very particular form of sensory apprehension—that lies at the heart of short stories that resonate beyond the final lines of text.
To celebrate Ovid’s 2,000th anniversary, editors and poets Nessa O’Mahony and Paul Munden invited 100 poets to respond to Metamorphoses with new poems that explore the many contemporary resonances in that seminal work.