2020 Editions

Fugitive Letters

$19.95

When Charity finds letters, journals and sketches in the roof of her great-aunt’s house, she uncovers a rich family history that she must piece together from fragments. Great-aunt Birdie’s letters to her lover are a compelling and revealing account of life for many women in the 1930s. Her experiences as an artist in the first decades of the century, and her earlier relationship with a young man who goes to war, also provide powerful insights into a woman who, as Charity begins to suspect, wanted more than her era would allow.

No News: 90 Poets Reflect on a Unique BBC Newscast

$19.95

90 poets from across the world reflect on a this marker of a time before the 24-hour news cycle, before the ubiquity of news and information that seems to haunt us through our daily lives. Through this anthology there are poems that capture that moment of nothing but piano music making up an evening news bulletin, poems that contrast this with today’s news, and personal stories grounded in the intervening years.

Under the Skin of the World

$19.95

Zoe Anderson’s first poetry collection uses elements of fairytale and mythology to reflect on landscape, love and ecological uncertainty. Accompanied by darkly heartfelt illustrations by Helani Laisk and playful typography by Caren Florance, this is a collection full of hope, imagination and truth.

I don’t know how that happened

$19.95

In turns unsettling and funny, Oliver Driscoll’s debut collection is a testament to the mundane resonances of contemporary life and language.  Driscoll’s wry eye captures the subtle whimsy of the everyday, while exploring the capacity of its language to disturb the field of human meaning.

Story Ground: The anthology

$19.95

Story Ground is a place of story, of attentiveness and support. A place where stories are held  safely and dearly, and are shared bravely—the very foundation of Community and Culture.

Story Ground: The anthology is a collection of prose writing, poetry and storytelling deriving from a series of workshops based on traditional Indigenous practices of storytelling and knowledge. The authors come from far flung places. Their writings here are breathtakingly powerful. This anthology is for the keeping and for returning to—a collection that you will find yourself reading and embracing, time and again.

Gladland

$19.95

Winner of the 2020 Niall Lucy Award

Gladland is a poetic tale of what heartbreak can and can’t do to a modern woman. Set to a 1970s psychosonic soundtrack, and staged in various cities from Detroit to Rome and Perth, these poems are glamrock operettas of everyday life, well-versed in its romantic absurdities and glories.

Some Sketchy Notes on Matter

$19.95

‘Some Sketchy Notes on Matter came together slowly around preoccupations of safety and shelter at an individual, societal and global level. I also wanted to look at the tensions between digital and analogue reality, between the city and a natural world that exists without us, strange, compelling and precarious. At its worst these tensions become an imbalance, a violence, threatening not only the individual body but the entire planet.’

(Un)Belonging

$19.95

The poems in (Un)belonging explore physical and psychological spaces, examining the consequences of a life lived on three continents, defined by separation from homelands and loved ones, shaped by departure and return, and the evolution and multiplication of identity. Throughout the collection, the setting continually moves from Australia to Ireland to the United States, making stops in England, Iceland, Greece, Italy, New Zealand and Slovakia. O’Reilly’s poetry engages with a range of concerns and obsessions, including identity, belonging, expatriation, immigration, exile, ancestry, landscape, alienation, homesickness, suburbia, fatherhood, nostalgia, death and grief … finding beauty, contentment and joy amidst an elusive quest for home.

Man-handled

$19.95

Man-handled, Melinda Smith’s seventh poetry collection, includes the found-text chapbook Listen, bitch plus new work from the last three years. Its central concern is gendered violence, both verbal and physical. These poems also extend their gaze to violences perpetrated in the names of colonialism, nationalism and capitalism. While this is Smith’s angriest book, it still takes time to celebrate moments of connection and wonder.

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