These poems move freely in time from the 1950s to the present day, from the contemporary to memoir, from gender politics to bushfires and floods. They show you jeeps, trucks, girlfriends and cane-cutters, widgies, Singer sewing machines, tattoos and rats and class grudges.
Sandra Renew uses a range of traditional poetry forms to lay bare some of the gaping fault-lines of gender relations especially as they are experienced by LGBTIQ communities.
WINNER OF THE ACT WRITER’S CENTRE WRITING AND PUBLISHING AWARD 2020
Sandra Renew’s new poems interrogate the choices made in living and performing gender, sexuality and desire—of struggling to be queer in an Australia of Holden utes and rotting mangoes, XXXX stubbies and Bundy rum, boudoir drawers and country roads, toad princes and wanting to be Wesley Hall. It is a book of not wanting to conform, charting the myriad pressures society places on conformity as a mode of survival. It is a brave, and sometimes funny book, filled with wry and deeply felt images and observations