The six senses have rarely been invoked in such sustained and evocative poetical terms. Whether one wants to understand touch, taste, smell, hearing, intuition or sight, this volume provides myriad avenues enabling a rich appreciation of sensory experience.
Wardrobe of Selves, Peter Bakowski’s seventh full-length poetry collection, pays homage to: the acrostic poem, aphorisms, blues and roots music, the cities of Berlin, Melbourne and Paris, espionage, film noir, haiku, humour, modern history, pacifism, painting, photography portraiture, proverbs, quotations, the sonnet, surrealism and travel.
Poet Melinda Smith and artist Caren Florance are back with another excursion into the linguistic and visual pleasures of found text, a joint practice which brought us 2017’s Members Only. With this book, Listen, bitch, they turn their attention to misogynist language, working with a corpus of several decades’ worth of statements by powerful Australian public figures (and other blokes with big platforms). By listening very closely to the snarlings of what Kate Manne calls the law enforcement branch of the patriarchy, these poems attempt to map the lines women are still not supposed to cross in contemporary Australia, and to document the consequences suffered when they do. The results are sometimes harrowing, sometimes ridiculous, and always thought-provoking.
In this, his fifth full-sized collection, Paul Cliff evokes the city of Canberra and surrounding region, where he has lived for the past 20 years. The poems work via characteristically wideranging moods and voice registers, from lyrical and elegiac to narrative and comic. They also deploy a variety of forms, from sonnets and odes to fables and epigrams, underlain by seductive rhythms and arresting metaphor. The capital’s festivals, institutions and monuments, everyday street life, suburbs, and lakescape are investigated, while the more distant terrains of Weereewa (Lake George), Namadgi, the Monaro, the Snowy Mountains, and the South Coast of New South Wales are also evoked in engaging and often striking terms.
These prose poems – I would like to call them ‘moments of poetry – recall journeys and intimacies, spaces of habitation, daily practices of denial, rescue affection or assertation. They reflect on negotiations between body and mind that can so fiercely mark the experience of womanhood, striving to capture the intermittent intensity of this ‘boundless resistance’ through the impact of summer and winter storms.
The poems in Alyson Miller’s debut collection are an exploration of the taboo and violence of human nature. From sexuality to the threatening and deadly, these prose poems off new perspectives on the unspeakable, shadowy places of human experience.
The French social philosopher Pierre Bourdieu is known for the richness and sophistication of his extensive writings.
In these selected dialogues, under taken with Michael Grenfell in the 1980s and 1990s, he is in a conversational mood. Here, he reflects on both his life and the formation and significance of his key concepts and perspectives.
In A Common Garment, Anita Patel reminds us that nothing is ordinary. These intensely sensuous poems are rich in flavour, scent, colour, and the sound and feel of languages that inhabit the body and shape our unique selves.
WINNER OF THE ACT WRITER’S CENTRE WRITING AND PUBLISHING AWARD 2020
Sandra Renew’s new poems interrogate the choices made in living and performing gender, sexuality and desire—of struggling to be queer in an Australia of Holden utes and rotting mangoes, XXXX stubbies and Bundy rum, boudoir drawers and country roads, toad princes and wanting to be Wesley Hall. It is a book of not wanting to conform, charting the myriad pressures society places on conformity as a mode of survival. It is a brave, and sometimes funny book, filled with wry and deeply felt images and observations