These poems move freely in time from the 1950s to the present day, from the contemporary to memoir, from gender politics to bushfires and floods. They show you jeeps, trucks, girlfriends and cane-cutters, widgies, Singer sewing machines, tattoos and rats and class grudges.
Sandra Renew uses a range of traditional poetry forms to lay bare some of the gaping fault-lines of gender relations especially as they are experienced by LGBTIQ communities.
In his teens, Ross Donlon had poems published in The Bulletin, Australia’s iconic journal, and in 1965, the literary editor predicted ‘an exciting future’ for the young poet. Donlon’s next poem was published thirty-three years later. In a ‘second budding’ he has had many poems published across Australia and overseas and read at festivals both at home and in Europe. For the Record charts his journey as a poet over five decades, including the Bulletin poems, and the later dark and comic poems for which he has become well-known.
What would you do if you looked up and saw that the night sky was darker than usual? That the stars had disappeared, and nobody was doing anything about it?
What do you do when a loved one tells you that their world is darker than usual? That they see no light, and don’t know what to do about it?
Born from loss, Errant Night is a firsthand case study in resilience. In this sequence of prose poems, Beaumont draws upon the sci-fi wonder of interstellar travel to throw comparative light upon burdens unspoken.
Intellectually ambitious and culturally engaged, these poems speak of Sartre, Zola and Jackson Pollock, of Western Australia’s firewatch trees and Dubbo’s gibbons, of the poet-batsman Stevie Smith, of youth and age. Ranging in form, James Lucas’s poems ask to be reread rather than assented to, and are written in the belief that poetry is both solvent and fresh lick of paint.
In Our Tongues Are Songs, Rico Craig pursues the intimate, the voices people use as they speak to their private fears. Craig brings his unique ear for lyricism, his eye for human need, to bear on the promises people make to themselves as they attempt to find solace, companionship and meaning. His haunting use of image fills the day-to-day world with the uncanny — bats are comforted by children, old women weep tattoos, the earth burns, television stars comfort teenagers as they struggle with anorexia, encroaching sands spill the dead into an unnamed city. This book spans voices, generations and countries; it sides with the young and old as they try to carve their humanity from the swirls of despair.
‘F-words’ is less expletive, more reconnaissance flight. In this five-year exploratory survey of territory that might include poetry, Malins forays into fables, fauna and flora, family, feminism, faraway and further. Whether in factual, fictive, fabulist or forensic form, Malins is squinting through life’s surface reflections and writing what she glimpses underneath.
the moment, taken is Jennifer Compton’s eleventh book of poetry. At this late stage she has yielded to the absolute lure of eidectic memory. That is – ‘relating to or denoting images having unusual vividness and detail as if actually visible.’ And there is the pleasure in poetry for her. The damage, the drama, the tableau, the tall tale and true. It must be knocked out of true. There are rules.
In Animals with Human Voices you will find worms that dream of god, jellyfish weary of immortality, a powerless Superman, some illogical observations on aliens’, a lightning conductor tired of lightning and the truth about Elvis. In multi award-winning poet Damen O’Brien’s debut collection, his cinematic eye and love of nature deliver poems which are ciphers for the normal concerns of every human: love, life and death and what we leave behind.
In this lyrical, often wry, sometimes heartbreaking and just occasionally horrifying selection of poems, internationally award-winning poet, Anne Casey invites you to step into her shoes, take a self-guided cruise through the State of Womanhood with its redacted facts and multiple travel warnings, feel the red hot sting of betrayal, and leave behind nights of secrets and dread to rise with the rage that her fine sisters gave, a scattering of blue skies and a pocketful of hope on the long walk home.
Hyperbole, Belinda Rule’s debut full length collection, contains the poems from the 2019 Anne-Elder-commended chapbook, The Things the Mind Sees Happen, as well as a careful selection of previous work spanning the past ten years. These are tender, funny poems about family estrangement, sexual violence, ageing and death.